The Seventies Now

Culture as Surveillance

von

Miller, Stephen Paul

BuchGebunden

Verkaufsrang6376in

CHF175.00

Beschreibung

Most would agree that American culture in the 1980s differed dramatically from that of the 1960s. Yet the 1970s is still thought of as a cultural wasteland. This text debunks this notion by examining a wide range of political and cultural phenomena.

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Details

ISBN/GTIN978-0-8223-2154-5

ProduktartBuch

EinbandGebunden

VerlagDuke University Press

Erscheinungsdatum06.05.1999

ReiheNew Americanists

Seiten432 Seiten

SpracheEnglisch

Gewicht943 g

Illustrationen29 b&w photographs

Artikel-Nr.3763890

KatalogBuchzentrum

Datenquelle-Nr.18300641

Weitere Details

Reihe

In the Name of National Security

Coyote Country

Cultures of United States Imperialism

Constituting Americans: Cultural Anxiety and Narrative Form

The First Woman in the Republic

Coyote Country

Revisionary Interventions into the Americanist Canon

American Anatomies

Macropolitics of Nineteenth-Century Literature

Passing and the Fictions of Identity

Italian Signs, American Streets

The Pragmatic Mind

The Slumbering Volcano

Home Fronts

A Lydia Maria Child Reader

Loose Ends

Race and the Subject of Masculinities

The Pragmatic Mind

Home Fronts

A Lydia Maria Child Reader

Women's Camera Work

The Suburb of Dissent

The Other Henry James

The Sign of the Cannibal

Women's Camera Work: Self/Body/Other in American Visual Culture

Utopia and Cosmopolis

Producing American Races: Henry James, William Faulkner, Toni Morrison

The Seventies Now

The Poetics of Transition: Emerson, Pragmatism, and American Literary Modernism

Living Up to the Ads

Assimilating Asians

Stand-up Comedy in Theory, or, Abjection in America

Latent Destinies

Raising the Dead

Gumshoe America

Sentimental Materialism

Crossing the Line

Autor

Miller, Stephen Paul

Stephen Paul Miller is Associate Professor of English at St. John´s University in New York. He has written two books of poetry, Art Is Boring for the Same Reason We Stayed in Vietnam and That Man Who Ground Moths into Film.